Programme
as known as of August 18th, 2022
Wednesday, 31 August
16.00-18.30
Session I Various approaches to Multimediality
- Anna G. Piotrowska Welcome speech
- Piotr Wilk Official opening
- Karolina Golemo Sound, Image, Performance. The “Sacrum Profanum” Festival between real and virtual space
- Eka Chabashvili Interactive Art & Hybrid Genres in my multimedia works
- Katarzyna Jarząb Similar practices in visual arts (dance) and music: Anne Teresa De Keersmaeker
- Magdalena Nowicka-Ciecierska Multimedia, minimalism and contemporary audience. About the artistic productions of Paweł Mykietyn and Mirosław Bałka
- Marta Kupis Instagram stories as a new form of music multimediality
- Inessa Dvuzhilnaya Holocaust memorial creative projects in contemporary Belarus
18.30-
Get together…
Concert Wonky Town group + Vin d’honour
Thursday, 1st September
9.45-11.15
Session II Ideologies in musical multimedia
- Wojciech M. Marchwica Introduction to the conference
- Angelina Petrova Ideological discourse of the 70s in Bulgaria: the Communist Party in the Union of Composers. The Union of Bulgarian Composers and the Bulgarian Post-Guard
- Jolanta Szymkowska-Bartyzel When a singer goes to war with a smartphone in his hand
- Motiejus Bazaras Lithuanian synths ARGO A1 and Stringas from the ’80s: the symbiosis of an artist and an engineer in the grip of the Soviet Regime
11.15-11.45
Coffee-break
11.45-13.15
Session II Ideologies in musical multimedia (continuation)
- Biljana Milanović Activism on Musical Stage: The Case of the Opera “The Last Little Girls”
- Gvantsa Ghvinjilia Post-Soviet Georgian music
- Aneta Strzemżalska Azerbaijani Meykhana: Cultural Policy and Local Actors’ Agenda
13.15-15
lunch
15.00-16.30
Session III Music in films, theatre, computer games
- Monika Novaković Afterlife of incidental music: two case studies
- Tomasz Bonikowski The beat of nature. Saami culture in “Skabma”
- Jenny Citarelli Composer to Chartist to Player: How Dance Revolution (and derivatives) Created a Notational Template for Rhythm Games
16.30-17.00
Coffee-break
17.00-18.00
Session III Music in films, theatre, computer games (continuationa0
- Ivana Vesić How sound film transformed the 1930s entertainment and music industry? – a story from the European periphery
- Katarzyna Mielczarek From musical to komedioopera. Musicologists in the face of problems related to the classification of music and theatre genres
Friday, 2nd September
09.00-10.30
Session IV Functions of popular music
- Jan Blüml Popular Music in Czech Radio Broadcasting during Communism and Post-Communismwith a S pecial Emphasis on the Phenomenon of Hit Parades
- Nico Schüler On the Religious and Political Functions of Reggae and Reggaetón
- Marija Maglov Konstrakta’s “Triptih”: former Yugoslavia’s symbols in popular music performance
10.30-11.00
Coffee-break
11.00-12.00
Session IV Functions of popular music (continuation)
- Daina Urbanavičienė Jazz scene identity and its transformation in Lithuania
- Mykolas Bazaras “Discophonia”: Dance Music for Listening
- Dimitar Ninov Harmonic Analysis of a Jazz Piece: “The Girl from Ipanema” Case
- Concluding remarks
12.00-13.15
walking tour around Kraków Following footsteps of Stefan Dymiter
Pliki do pobrania